Transcript of the podcast:
BILL KOLB: When you walk in the front door, you don't even notice the Hercules because your brain would not make sense of it. It looks like a wall, and it's painted like a battleship. And you look up because you're looking at planes hanging from the ceiling, and you notice there's a wing up there, but it doesn't look like a wing. It's too big. Then you notice it's attached to that big gray behemoth in the middle of the room. And your brain starts to process and say, "Oh, that must be the Spruce Goose, the H-4, the Hercules."
KATY MILKMAN: This is Bill Kolb, a volunteer tour guide at Evergreen Aviation & Space Museum in McMinnville, Oregon. He's taking us in and around one of the world's most ambitious and unusual looking aircraft. A plane so large, it warps your sense of scale. And so expensive, it warped the judgment of the man who built it, Howard Hughes, the famous American aviator.
In this episode of Choiceology, we explore a bias and judgment that arises because we so desperately want to recover what we've already spent, whether it's money, effort, or time—even when that money, effort, or time is gone and irrecoverable. We'll explore how that desire can steer us in counterproductive directions.
I'm Dr. Katy Milkman, and this is Choiceology, an original podcast from Charles Schwab. It's a show about the psychology and economics behind our decisions. We bring you true and surprising stories about high-stakes choices, and then we examine how these stories connect to the latest research in behavioral science. We do it all to help you make better judgments and avoid costly mistakes.
In 1942, the Second World War was raging on, and the Allies were struggling against the German submarines in the Battle of the Atlantic.
BILL: There was a big chunk in the middle of the ocean where there's no air cover at all. The German submarines, they're called wolfpacks, sank our ships with impunity.
KATY: The allies needed to deliver massive amounts of cargo without getting bombed, and they needed to do it quickly. Henry Kaiser, a famous American shipbuilder and steel magnate, had an idea.
BILL: Henry Kaiser, he built primarily Liberty ships, and they were cargo ships, and he built them out of metal, and they used to weld everything. He figured out how to rivet. And he was quite an innovator. And so he went to the government, said, "Hey, if we can't get through them, let's go over them." And so the Department of War thought, "What if we could fly over the submarines?"
KATY: Kaiser started looking for an aviation partner, someone to complement his shipbuilding expertise, so they could work together to build the world's largest seaplane.
BILL: He pulled Howard Hughes in, and the two of them teamed up and decided, "We're going to build this enormous plane." Hughes was the most brilliant aeronautical engineer in the world, and everybody recognized that. He knew more than anybody else on the planet, and he had a great deal of experience building planes for the 20 years prior.
KATY: Howard Hughes was one of aviation's great visionaries. In 1938, he flew around the world in just under four days, shattering the previous record. He was also an industrial tycoon, one of the richest men in America, and a Hollywood producer who committed deeply to his projects. Hughes once risked his life for a stunt to save his film Hell's Angels. He was a man defined by a relentless all-in obsession, and he was the partner Kaiser needed. Together, they signed a contract with the American government for $18 million to build aircraft prototypes in a tight 24-month window. To put that into perspective, $18 million in 1942 is equivalent to about $340 million today. From the very start, Kaiser and Hughes faced some major challenges.
BILL: The government had some pretty difficult constraints. They couldn't build it out of metal. There was so much metal that was needed for tanks and Jeeps and trucks and aircraft that they told him, "You have to build it out of something else." And so he built it out of wood.
KATY: Hence the name, the Spruce Goose. That's how the press mocked the wooden aircraft, even though Hughes used birch wood, not spruce. He hated the nickname. The papers were skeptical. A plane one-sixth this size had never been built before, let alone out of wood. Kaiser and Hughes went out …
BILL: … They found every carpenter and cabinet maker and people who worked with wood and used them to build the plane. Because it, in fact, was a very large cabinet.
KATY: Thousands of people began work on the wooden plane in the fall of 1942 at the Hughes Aircraft Company in Culver City, California. The sheer enormity of the aircraft meant they needed several facilities where parts were built separately. Hughes was very involved in the day-to-day operations.
BILL: There are stories of Howard walking through the assembly floor, yelling at people because he sees something 20 feet up that doesn't look quite right, and it's that perfectionist part of him coming out.
KATY: Hughes was an eccentric character, a larger-than-life persona famously captured in the 2004 movie The Aviator. He was a man of contradictions, known for his brilliant innovation and risk taking, but also for his personal frugality and obsessive perfectionism.
BILL: He was very difficult to work with. Everything had to be just right, and he would micromanage people in the shop and in the drafting rooms, getting right down to what size screw was used somewhere. He was a man with a vision, and no one could keep up with him, and it frustrated him. But it was a two-edged sword. He's brilliant. He's driven. He was passionate about meeting his goals, but he also had great difficulty dealing with people.
KATY: As the project's 24-month deadline grew nearer and the plane still wasn't finished, the partnership between Hughes and Kaiser became strained. With just a few months left on the clock, Henry Kaiser had hit his breaking point.
BILL: He just couldn't deal with Howard anymore.
KATY: The project was also behind schedule and running out of money. At the same time, the Allies were making major progress in the war, and the need for the massive seaplane became less pressing.
BILL: The fall of '44, we've already landed in Normandy, and we were getting very close to the end of the war. And so the government starts thinking, "Well, we don't need this."
KATY: Kaiser saw the writing on the wall. The military's need for their giant seaplane was dwindling. Government funding was looking tight. He and Hughes clashed. It made sense to cut his losses.
BILL: So he left.
KATY: But Hughes, he couldn't walk away.
BILL: It was a good time to leave, but that is antithetical to his personality. He would've been remembered for the project that the plane never got off the ground, it cost too much, they didn't know what they were doing, and they canceled it, and he walked away. That is not a legacy that he wanted to have. And so while he had the perfect opportunity, there was no way he was going to take it.
KATY: Hughes was deeply invested in the success of the H-4 project. He'd spent years of effort designing and constructing the plane. He was reluctant to abandon the progress he'd made, even though he couldn't get that time and effort back. What he could have done instead was consider the best possible use of his time going forward, ignoring all the investments he could no longer recover from this project.
BILL: What could he have been doing had he not been working on the H-4? He was at the top of the heap before the war started. He was building airplanes that flew faster than anybody even thought possible, and he was setting records over and over and over. So if he felt bad, it would've been his perceived failure. But more than that is what could he have done, what could he have invented had he not been working on this behemoth?
KATY: Hughes kept working away on the plane. He even started funneling his personal fortune into the project, to the tune of a cool $7 million.
BILL: When we get to the end of '45, the war is absolutely over. Our fighters and bombers had decimated the German wolfpacks. I think they sank well over 90% of the submarines in the last few years of the war because we got sonar. And so that diminished the requirement for the plane. You get to the end of the war, and the plane, it's not done yet. And so Congress calls him, and they shook a bony finger at him and said, "You need to stop." And they called him a terrible war profiteer, and they were going to investigate him, and they were going to bring him up on charges. And they told him to stop.
KATY: This was another opportunity for Hughes to move on. Congress was literally begging him, and the war was officially over. But Hughes had invested so much money, effort, and time in the plane.
BILL: He said no. He wanted to finish it. And he put up his own money. The government shut off the money, and he said, "No, I'm going to keep going."
KATY: Then, in the summer of 1947, the government made good on their promise. They called Hughes to testify before the Senate War Investigation Committee in Washington, D.C., about his use of government funds to build the aircraft.
SPEAKER 3: Today before the Senate committee investigating the Howard Hughes, Henry Kaiser airplane contracts during the war. He was on the stand …
KATY MILKMAN: The courtroom was packed with news reporters and fans of Hughes who hoped to catch a glimpse of the movie mogul. Senators fiercely stared across their bench at the famous aviator. The air was thick with tension.
BILL: The press generally was not on his side. He goes before the Senate subcommittee, and they want to string him up.
SPEAKER 4: Well, now, Mr. Hughes, I'm asking you what your answer was.
HOWARD HUGHES: I don't remember what it was.
SPEAKER 4: And we're not going to have this bickering back and forth. You are before this committee, and you're going to answer the question.
BILL: And he gives it back as good as he gets. And they told him to cease and desist, and he refused. He would not back down. And he just told them to their faces, that famous line …
HOWARD HUGHES: I put the sweat of my life into this thing. I have my reputation rolled up in it, and I have stated several times that, if it's a failure, I'll probably leave this country and never come back. And I mean it!
KATY: Hughes won the heart of the public with his impassioned defense of all the sweat and equity he'd put into the plane, which he argued justified his perseverance on the project. He returned to work on the H-4 in Culver City with renewed energy and vigor.
BILL: He went back and finished the plane.
KATY: Finally, three months after the Senate hearing and about five years since the project started, the H-4 was complete. Hughes set a date for a taxi trial on November 2nd, 1947. The taxi test, if it went well, would help stave off the critics who'd taunted Hughes for years. A lot was riding on this moment. It was a beautiful day in Long Beach Harbor, California, when Hughes unveiled the completed prototype.
BILL: The weather was decent, a bit of a breeze under 10 miles an hour, and there were great many spectators along the shore wanting to see this. And he called the press in and said, "You want to see this. This is the first time ever." So there was a lot of press on the shore, press in boats, and there was press onboard the plane. And he was asked many times, "Well, are you going to actually fly it?" And he said, "Oh, no, no, no, no. The government told me this is just a taxi test, and I am not allowed to take off." In the back of his mind, he had a different idea. So they taxi up and back for a while, and they're going into the wind, and he adjusts the flaps a bit to get a little more lift and just a little bit of throttle. He gets it up, I think it was 135 miles an hour, and the darn thing lifts off. It flew just 70 feet above the water for about a mile. The whole thing took about 26 seconds, and then he put it down nice and smooth.
KATY: To Hughes, those 26 seconds of successful flight were everything.
BILL: It was very important to Howard. That was probably the hardest thing he'd done against the highest odds that he'd ever faced. It's hard to say the richest man in the world is an underdog, but in this case, he was.
KATY: While the seaplane did eventually achieve liftoff, it was too late, several years too late. The military use case had become obsolete. Hughes' refusal to let the project go, in large part because of everything he'd invested and couldn't recover, had cost him sorely. Months, millions, and his reputation with accusations of war profiteering. The H-4 never flew again, but still, Hughes remained committed to the plane until the end of his life. He spent a staggering $1 million a year to store the aircraft and maintain its flightworthy status just in case he ever needed to fly it again. That day never came. After Hughes died in 1976 and some changes in ownership, the H-4 finally found its permanent home at the Evergreen Space & Aviation Museum in McMinnville, Oregon, where it has its own pavilion, specially built to host the world's largest wooden plane, which flew just one time in 1947 for a total of 26 seconds.
Bill Kolb is a docent at the Evergreen Aviation & Space Museum in McMinnville, Oregon. You can find more details on the H-4, plus links to the museum and its H-4 tours, in the show notes and at schwab.com/choiceology.
The H-4 or Spruce Goose is a famous project from the history of American aviation. I visited the museum and can tell you the plane is quite the sight. Howard Hughes had many opportunities to abandon his efforts when it made perfect sense to do so, when his partner quit, when the war ended, or when the government was begging him to stop. But Hughes had made massive, irrecoverable investments of his time, effort, and money. His reputation and identity became wrapped up in the project, too. He couldn't bear the thought of what he perceived as wasting everything he'd already poured into the project. The question of how we approach irrecoverable costs, costs that we can't get back after they're spent is the topic that I dive into with my next guest.
Richard Thaler is an economics Nobel laureate and the Charles R. Walgreen Distinguished Service Professor of Behavioral Science and Economics Emeritus at the University of Chicago's Booth School of Business. He's also the author of a new book called The Winner's Curse, which is a seminal work on behavioral economics. Richard recently updated and re-released the book with Alex Imas, who we had on the show in June of 2024.
Hi, Richard. Thank you so much for taking the time to be here today.
RICHARD THALER: Hi, Katy. Always good to see you.
KATY: I want to dig into a topic covered briefly in your fabulous new book with Alex Imas, and the topic I want to dig into is the sunk cost fallacy. Could you start by just defining the sunk-cost fallacy?
RICHARD: The idea is that if you've bought something, the money you paid for it is sunk. You can't get it back. And specifically, you can't get it back by using it more. So classic example is you order some dessert at a pricey restaurant, and you're already kind of full, and the dessert is very rich, but you keep eating it because you paid a lot of money for it. And somehow eating it is going to help.
KATY: Yeah, that's a great example. You would be happier if you didn't, but your mind convinces you that that money you spent requires the consumption of this dessert, or else you've done something wrong. I was hoping you could describe a few examples and studies you've looked at to demonstrate this fallacy.
RICHARD: True story. I was living in Rochester, New York, at the time, which is every year snowy, the way you've had snow in Philly this year. And I had a friend named Jeffrey, and we were given two tickets to a basketball game in Buffalo, when Buffalo had an NBA team. And then there was a big blizzard, and we decided it would be foolhardy to drive to Buffalo in a blizzard. But Jeffrey said to me, "OK, yeah, we shouldn't go, but if we had paid for those tickets, we would be going." I said, "You just said it would be crazy to drive in this weather." "Yeah, but those tickets were expensive, and if we had paid for them, we'd have to go." So that's clearly the sunk-cost fallacy, the amount of money you paid for the tickets. A rational economic decision would be "I should go if enjoying the game is greater than the cost of going, which includes driving during a blizzard, and the amount of money we paid for the tickets is now irrelevant."
KATY: How about wine that's appreciated, Richard? I think you and Eldar Shafir surveyed some wine experts on a scenario involving wine appreciation.
RICHARD: Of course, all of my insights start with thought experiments. And as you know, from personal experience, I do enjoy a nice glass of wine. So we did a survey of the subscribers to a newsletter that Orley Ashenfelter, the famous economist, used to publish called Liquid Assets.
KATY: It's clever.
RICHARD: And it was about wine auction prices. That's what the newsletter was about. But he, as a favor to us, included a survey. And we said, "Suppose you bought a bottle of wine a long time ago for $100, and it's appreciated. It's now worth 300, and you go to drink a bottle. How much does it feel like you're spending?" We gave them multiple choice. So one of the options was 300, meaning that's what you could get for selling your bottle. That's the correct answer if you're an economist, as you know. Another answer was 100, what I paid for it. Another was zero. It doesn't cost me anything. I bought it a long time ago. And my favorite answer was, I save $200 by drinking this bottle of wine because I only paid $100 and it's now worth $300, so I'm up $200 if I drink that bottle. Lots of people actually picked that answer. In that case, the wine drinkers have their own kind of mental accounting because it's not like they think that they have to drink that bottle because it was so expensive. They're thinking, "Huh, that wine doesn't cost me anything." It's more a failure to recognize opportunity costs than it is sunk costs.
KATY: It's a similar psychology though, right, if you think about how these two things tie together. Because if we should recognize that it costs us $300 to do something, and we treat it like it's free, that's sort of the opposite of treating the ticket that you paid for differently than the ticket that was free. Either way, you're not assigning value properly to these assets, and it's leading you to make peculiar choices.
RICHARD: I think they're both examples of what I call mental accounting, and mental accounting is really the way you think about money in your head. And we often think about money in ways that is different than the way economists think we should.
KATY: I'm curious, when you were working with Alex on an update of your classic book The Winner's Curse, what did you determine about how your original ideas and research on the sunk-cost fallacy have held up?
RICHARD: The most interesting thing that's happened in the field is we've gone from originally just thought experiments, then to lab experiments and field experiments, and now to field data. And so there are two nice studies that get into the book. One from Stefano [DellaVigna] and Ulrike [Malmendier], they have a paper with the wonderful title "Paying Not to Go to the Gym." And we know from your study, many people often around New Year's decide "This year I'm going to get into shape." They join a gym, they sign up for a membership for a year, and they pay a monthly dues, but going to the gym each time is free. And what this paper finds, that people join with good intentions and then don't go very often, and in fact, would be much better off financially paying each time. And the gym they studied, you could pay, say, $10 every time you go or some monthly fee. They would be better off paying as they go. But in this case, people like the sunk cost because if they've paid, they've, "Oh, I'm paying all this money to go to the gym, so I better go."
KATY: So unlike the dessert example, this gym study shows how a sunk cost can be leveraged to improve your health. I'm curious, Richard, why do you think that people show this fallacy?
RICHARD: I think that there is a feeling that you don't like to waste. And a lot of the anomalies that we study in behavioral economics probably emerged from somewhat sensible behavior. Amos Tversky had this great line that there probably were species that didn't suffer from loss aversion, but they're now extinct. And the idea is that if you're a subsistence, it's rational to not want to lose because you're going to die. And now in modern society, thankfully, very few of us, we're not going to die if we don't eat that dessert, quite the opposite. So we still have these lingering tendencies that we shouldn't waste, and we should be sensitive to losses.
Going back to the book and this theme that a lot of the things we found were now in real markets, there's a paper by my coauthor, Alex Imas. He has a great paper studying traders and professional investors. And he got this data set of, I think, about a decade of all the trades from a bunch of professional portfolio managers who have some skill, meaning their portfolios do better than the benchmark for whatever they're investing in. And he looked at, OK, obviously they have skill in what stocks they buy. Do they have any skill in when they decide to sell? And the answer was no. In fact, they have negative skill. Suppose I want to buy some stock, I might have to sell something. Let's say I tend to have about a hundred stocks in my portfolio, I want to add one. All right, so I have to get rid of something.
KATY: To afford it, right? I have to free up the cash.
RICHARD: Yeah. So they said, look, let's say instead they picked a stock at random from their portfolio and sold that. How would that do? And it turns out that would be better.
KATY: And is it because they're holding on to losers hoping they'll turn around?
RICHARD: Yeah. It seems mostly that they are holding on too long, which is another phenomenon that has been documented, that we tend to hold on to losers too long.
KATY: Because we're hoping it'll change. We don't want that outcome.
RICHARD: Yeah. And the mental accounting of that is if I have a stock that's gone down, I don't have to admit that I made a mistake.
KATY: Until I sell it.
RICHARD: Until I sell it. Right. So if I just keep it, "Oh yeah, well, it's not a loser yet."
KATY: I love that. What do you do differently in your life as a result of studying the sunk-cost fallacy?
RICHARD: Well, I think I am good at ignoring sunk costs. Certainly, if I open up a bottle of wine that I think is past its prime, I'm willing to put it into the vinegar pot. Having a vinegar pot actually helps.
KATY: How about for listeners for whom they haven't been training for 30 or 40 years on the sunk-cost fallacy, what advice would you have for them to help make this insight concrete so they can live by it? How can they make better choices, understanding the sunk-cost fallacy?
RICHARD: Let's introduce another bias, status quo bias. So we tend to stick with what we have. When Netflix starts the next episode automatically, it makes us more likely to binge than if we actually had to go to all the effort of clicking something on the remote. Or should I say, "Wait, wait, a little bell goes off. No, no, this is a sunk-cost fallacy." And the right question is …
KATY: "Would I eat this dessert if it had been free? Would I go to this basketball game if it had been free?"
RICHARD: Right. And if you ask yourself that, that will always get you the right answer.
KATY: So basically, you have to remind yourself all of your decisions should be forward-looking as if there were no costs, because the cost is irrecoverable.
RICHARD: Right.
KATY: I love that.
RICHARD: And that can be true of many things in life.
KATY: Absolutely. Richard, this has been so much fun. Thank you very much for taking the time to talk to me about the sunk-cost fallacy and the new edition of The Winner's Curse that covers this and many other fascinating and important topics.
RICHARD: Thanks, Katy. Always good to see you, even on the screen.
KATY: Richard Thaler is a Nobel laureate, New York Times bestselling author, founding father of behavioral economics, and emeritus professor at the University of Chicago's Booth School of Business. He's also my friend and collaborator. His fantastic updated book, co-authored with Alex Imas, is called The Winner's Curse: Behavioral Economic Anomalies, Then and Now. And reading the original edition changed my life. It convinced me to pivot away from questions related to computer science and technology as a PhD student to become a behavioral scientist. If you're a longtime fan of the show, I suspect you'll love the book. You can find a link to it, as well as to the papers Richard mentioned in our conversation, in the show notes and at schwab.com/choiceology.
For more practical insights on how biases like the sunk-cost fallacy can affect your financial decisions, check out our sister podcast, Financial Decoder. You can find it at schwab.com/FinancialDecoder, or just search for Financial Decoder in your favorite podcasting app.
The sunk-cost fallacy is one of the most consequential and costly behavioral biases we face. It pushes us to escalate commitment to a failing course of action, not because the future looks bright, but because we're desperate to justify past investments that can never be recovered. When I teach my Wharton MBA students about this bias, we talk about a classic study from the 1990s by Barry Staw and Ha Hoang. They found that NBA coaches gave more playing time to their higher draft picks, even when those players perform no better than their teammates. An early draft pick is a sunk cost. It can't be recovered. But coaches double down on their most expensive choices, giving these players more court time than their performance alone would justify.
But the sunk-cost fallacy doesn't only afflict titans of industry like Howard Hughes and basketball coaches. Maybe you keep driving a clunker because you just paid for a major repair, or maybe you finish a mediocre dessert when you're already full because it was expensive. Richard's advice is simple and powerful for avoiding this bias. Ask yourself, "Would I choose this if I hadn't already paid for it?" If the answer is no, that's your cue. Walk away.
Now to be fair, sunk costs aren't always the enemy. Sometimes we can use them to our advantage. Prepaying for a gym membership or a class can helpfully motivate us to follow through. In these cases, we're strategically harnessing our aversion to perceived waste. But most of the time, the wisest move is to ignore what's behind you and focus only on what lies ahead. Good decisions are forward-looking. The past is sunk. The only question that matters is: "What's the best choice now?"
You've been listening to Choiceology, an original podcast from Charles Schwab. If you've enjoyed the show, we'd be really grateful if you'd leave us a review on Apple Podcasts, a rating on Spotify, or feedback wherever you listen. You can also follow us for free in your favorite podcasting app. And if you want more of the kinds of insights we bring you on Choiceology about how to improve your decisions, you can order my book, How to Change, or sign up for my monthly newsletter, Milkman Delivers, on Substack.
Next time, I'll speak with Rick Larrick, the Hanes Corporation Foundation Professor of Management and Organizations at Duke University's Fuqua School of Business. We'll discuss a tendency to value rank above all else, even when more informative metrics exist. I'm Dr. Katy Milkman. Talk to you soon.
SPEAKER 7: For important disclosures, see the show notes or visit schwab.com/choiceology.
After you listen
- For more practical insights on how biases like the sunk-cost fallacy can affect your financial decisions, check out the Financial Decoder podcast.
- For more practical insights on how biases like the sunk-cost fallacy can affect your financial decisions, check out the Financial Decoder podcast.
- For more practical insights on how biases like the sunk-cost fallacy can affect your financial decisions, check out the Financial Decoder podcast.
Have you ever bought a pair of shoes that never really fit, but you kept wearing them in hopes you'd break them in? All because you didn't want to feel your money had gone to waste—even as you felt blisters forming?
In this episode of Choiceology with Katy Milkman, we explore how focusing on past, irrecoverable costs can skew our judgment and future commitments.
Bill Kolb takes us inside the Evergreen Aviation & Space Museum in McMinnville, Oregon. He shares the story of "The Spruce Goose" seaplane and why its creator, Howard Hughes, was so committed to the project despite many challenges and several opportunities to back out.
Next, Katy speaks with Richard Thaler, economics Nobel laureate and Charles R. Walgreen Distinguished Service Professor of Behavioral Science and Economics at the University of Chicago Booth School of Business. Thaler reveals why we tend to dwell on sunk costs that cannot be recovered and shares insights from his updated book The Winner's Curse: Behavioral Economics Anomalies, Then and Now.
Check out the additional papers mentioned in this episode: "Paying Not to Go to the Gym" by Ulrike Malmendier and Stefano DellaVigna and "The Realization Effect: Risk-Taking After Realized Versus Paper Losses" by Alex Imas.
Choiceology is an original podcast from Charles Schwab.
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The comments, views, and opinions expressed in the presentation are those of the speakers and do not necessarily represent the views of Charles Schwab.
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All corporate names and market data shown above are for illustrative purposes only and are not a recommendation, offer to sell, or a solicitation of an offer to buy any security.
The policy analysis provided by the Charles Schwab & Co., Inc., does not constitute and should not be interpreted as an endorsement of any political party.
Investing involves risk including loss of principal.
The books How to Change: The Science of Getting from Where You Are to Where You Want to Be and The Winner's Curse not affiliated with, sponsored by, or endorsed by Charles Schwab & Co., Inc. (CS&Co.). Charles Schwab & Co., Inc. (CS&Co.) has not reviewed the books and makes no representations about its content.
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